The Dark Visits
Does a lone vulture perched atop
my wellhouse imply everything
is not well? Even scavengers thirst,
so it may be seeking an opportunity to slake 
the dry grating in its parched throat, or soothe 
sour flesh past its gullet. 
Perhaps a servant
to Shinigami, angles its sharp beak to pull 
light down to the death spirits who glide
the river coursing the afterworld below,
draining desire from life. 
Carcass Seeker or Totem? Peace Angel or 
Death Eater? Goddess, Purifier of Life, Omen? 
Vulture soars through cultures, through dawn skies, seeking 
putrescence, seeking others to invite.  Once I spied fifty feathered 
undertakers enbranched in rows like spectators in an
amphitheater,  
bald heads gleaming sunburnt red;  two at a time, they hopped down 
to gorge in the ark of deer carcass, gore their beaks into
the hull 
of  stomach. Each one
tore a plug of organ, snake of intestine, 
raised these treasures up to glisten in the light, bit by
bit 
removing the dead.
Swarms of feeding finch and chickadees 
crack sunflower kernels, sunrise communion, against 
the lucid edge of the feeder, oblivious to my rough passage 
towards morning, or the carnivore talon-grasping along
tender
shingles above the underground spring.  Vulture tilts a scarlet dawn 
towards my window, like the man who stumbled out of a
Chinatown 
doorway when I was five, completed the fortune in my hand– you will meet 
your fate outdoors –by whispering an index finger
barrel into my face.
I have never known how to read my life.  It ends 
where it begins; same words, same questions. 
What is coming? Is it for me?
The
Organ Harvesters
after the third transfusion
leaked out the sieves
of her son’s wounds
his blood washed
free of the coagulants  
needed to thicken and staunch,
the organ harvesters
swarmed the mother
demanding the right to save
someone else
                       they
didn’t know
how much damage her son’s
brain sustained in the car crash
felt no pity for his body
dripping like a dollar store 
sponge, he had signed papers
awarding parts of himself
to strangers and they had arrived
intent on reaping what the mother
had sown, gleaning
from a field never again to be 
turned over, planted,  
allowed to ripen.
after his son’s death, sitting in the parking
lot outside the post office
he stares across the access road. 
yellow machines beaked with shark-
toothed buckets tear the woods to terra-
cotta rubble.  snapping on the
radio 
to talk show blather,  he hunches
over 
one more New York Times crossword,
more intent than the rain splattering
his windows to grease.  what
words
could he find, must he find, how many
squares fill in before he can fool himself
that the confluence of letters will stop
the oil truck from ripping through his son’s 
Toyota?  of course it is fantasy,
this belief 
time can be reversed if only he waits 
long enough, face turned away, a letter might 
emerge in the silver lozenge of a mailbox nesting 
in the shining grid of other small doors, closed yet 
hopeful.  perhaps,  a postmark announcing his boy 
transits in Rio or Djakarta; he is not the 23-year-old 
meat puppet on a guard rail
they were both travelers in the realm of superstition,
so it is like holding his son’s hand to hunch over newsprint, 
listen for a sudden cryptic alert, seek coded messages – it is
as comfortable as tucking the boy into his childhood bed
it is the only way you can even attempt to outwit downfall
*
Famine Roads*
Night pushes away the day.
Even still, they continue 
to angle their shovels 
into the mucky sod. Sparks 
flare when their blades strike 
granite.  Their chins hang down, 
mouths  fallen open as if to filter 
life from air. In the
congregation 
of dark, the stars go
unnoticed.
So the English dealt with
famine,
forcing bodies into ketosis,
ravening 
their own cells; hair and nails
fragile,
organs full of toxins, hearts
shrunken
to faulty pumps;  like love twisted 
from joy to doubt, feeding on
itself.
And so, too, my dear, we scrape
forward, 
lift our spades, plunge
exhausted 
towards a ground we can only
hope 
to judder against, just as we
ask 
the brittle bones of our feet,
gauzed 
in cracked skin, to deliver us,
to finish this road, pray it
doesn’t
go nowhere.
*During the Potato Famine the
British, under the 1847 Labour Rate Act, would force starving Irish peasants to
build roads that legally could not go anywhere.   
*
Found
At  Monday’s sunset 
she parked 
her practical Toyota  
neatly by the locked gate, 
removed her shoes, 
lined them perfectly
together on the dock 
beside the pill bottle 
then breathed beneath
the heat-thickened water
of Falls Lake.
On Tuesday 
I rushed to her house
to find a dazed husband
taping TV shows, a son
smashing vases, guitars, 
glass shards speckled 
the living room.
Old memories surfaced;
the noose 
around Charlie’s neck;
the shotgun 
in Michael’s mouth.
That Sunday 
my friend’s daughter
in the carefree thrall 
of twenty-two
drove 90 miles per hour 
into history.  I saw again 
one night’s empty highway
the wailing, broken boys,
my friends, their car sliced 
in two by the Exit sign, 
steam and fluids
hissing, popping.
None of this happened
to me, yet this shroud bows
down my shoulders, folds
my face into itself. 
Even my smiling son
cannot draw me back 
with his happy prattle.
Frost was wrong.
The choice is not one
of divergent paths. 
The roads not traveled 
all threaten bracken ponds, 
heat-slick roads,
the possibility 
of blood and darkness 
waiting to be seized.
© Richard Krawiec
///
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