Thursday, August 21, 2014

Chantel Langlinais Carlson, Two Poems

Chantel Langlinais Carlson writes, “Both of these poems were written using a quill (in response to a cfp I saw that was looking for writing that did away with 'newer' forms of technology/writing implements) . . . it proved a much more challenging process than I imagined, but it also made for an interesting writing experience! It looks easier in the movies.” (It’s worth noting, as a matter of principle, that everything looks easier in the movies.) Anyway, I asked her to send jpegs to document the whole process, and the result makes me very happy that Chantel (rather than I) undertook this effort to get back to goose-based technology. (JM)



Past thyme and rain on the window’s
stillness, a woman’s gaze
turns to blue. Quilled in blue seeped through
to vein the blood with ink
now gone dry. A woman’s gaze turns
to her skin, Rorschach forms
islands and daggers and ships sail
across life lines once held
in a gypsy’s palm. The bourbon
moon never tasted so
good. A woman’s gaze turns to shut
ticks and stocks of time-crossed
memory. Drawn feathered. Drawn blue.


My genius tired of beat boxing
in the corner, choking
on consonants I never caught.
He pulled cobwebs off his
eyelash and blew them into air
forming feathers that took
flight. I, too busy to notice,
stepped over them—now I
am ready—but never was good
at catching fireflies.
To wake the lost ghost kidnapped by
inconsistency, I
write. The corner shadows wisp–then—
only silence answers.


Chantel Langlinais Carlson received her Ph.D. in Modern Drama with an emphasis in Creative Writing from the University of Louisiana at Lafayette in 2007. She is currently an Instructor of English at Texas Christian University, where she teaches modern drama, poetry, film, and composition. Next Stage Press recently accepted her one-act play, The Exhibit, for publication. Her poetry chapbook, Turning 25, was published in 2011 by Nous-zot Press. Her poetry has appeared in Ekleksographia, damselfly press, The Southwestern Review, and The Louisiana Review, and her critical work has appeared in the Interdisciplinary Humanities Journal and the Louisiana English Journal.

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