Scan of a stereoscopic glass negative,
Madagascar,
circa 1912-1915.
Unidentified
photographer, probably a French colonial official,
from
the collection of Wolfgang Wiggers
Notwithstanding its name, this blog confirms
Kafka’s aphorism about form: ‘A cage went in search of a bird.’
It is the combination of the remote and the immediate (usually a measure of proximity) that interests this editor about the cyber-world; it parallels metaphor. And metaphor is generative – it goes places. So will Truck: to America, Australia, Canada, China, Croatia, Germany, Great Britain, Greece, Holland, Italy, Japan, Madagascar, Malaysia, Mexico, New Zealand, Nicaragua, Norway, Samoa and Ukraine.
In August the 1896 Daimler will apply its four horsepower to delivering ‘Baker’s Dozen’, a repeat series of thirteen poems carefully packed by their author. And artworks will accompany the word on the journey to your place.
It is the combination of the remote and the immediate (usually a measure of proximity) that interests this editor about the cyber-world; it parallels metaphor. And metaphor is generative – it goes places. So will Truck: to America, Australia, Canada, China, Croatia, Germany, Great Britain, Greece, Holland, Italy, Japan, Madagascar, Malaysia, Mexico, New Zealand, Nicaragua, Norway, Samoa and Ukraine.
In August the 1896 Daimler will apply its four horsepower to delivering ‘Baker’s Dozen’, a repeat series of thirteen poems carefully packed by their author. And artworks will accompany the word on the journey to your place.
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