Sunday, May 19, 2013

LOVEDAY WHY



I can't watch the sea for a long time or what happens on the shore doesn't interest me any more

There were never more than one pair    of hands emptying out the river    and repacking the banks    hiding from the fish the true way to the ocean           keeping in small wet pockets the gathered silt and the shelf    the alert bricks broken down all the bricks placed in a semi circle    and crushed the softened wood    I know who you are I know just who you are    The hands that refill the waters with water     the fish that travel to the river mouth  then spiral    then   return again    The hands that make a keel for the whole body upright    knifing itself on the cool water    the real blisters rising on the step    where the silver straps cross    The hands that part life from life    gather up wet sheets    scoring in the air the slipped sound of a last moon    falling up from a first breath    The hands that part life from life    pass a shade over the eyes     the bodies      being too far away and rigged    No one made love like we did no one ever possibly will    holding our wrists to the insides of our knees    We never matched the tracks of our veins    never held the water in our mouths    These hands never learned how to separate or join    how the unheld grow    taking off their clothes to wait for the Spring    how the mythed speak with the voices of water    a name next to a triumph in the paper                                       she tore    with her feet

Saturday, May 18, 2013

DAVID HOWARD - PART THREE

 TO SING THROUGH STONE: work in progress


3    Wu Gang & Ah Sing

Wu Gang:

Saw wood light fire boil water steam rice stop
    Thinking that this list is order –
Sequence is change, order is eternal.
    When nesting, magpies break from trees
To chase away the storm. There is no nest,
        Only the storm

And the order behind it. Everything
    Unfinished, everything finite
Except for an informing principle –
    love. Open like a Sichuan
Fan, the universe expands as it cools
        The remote mind.

A fallen tower does not deserve its name.
    A man who lies down without thought
For the right course of action – he can’t dream
    Virtue into being. You must hunt.
The sea hawk flies a thousand miles to seize
        The cursive swan.

Annotated in cinnabar-lead ink
    The floating world is marginal.
Ah Sing, to win back Tiriata, sing
      Songs to Hine-nui-te-po
In your sleep; earn your name and your lover
        With poetry.


Ah Sing:

You could sing once? I never knew the use
    Of stone; in my throat there is schist
Crumbling into syllables, those echoes
    Of the ineffable zero
Before the universe heaved me out
        To bear witness.


Wu Gang:

I see more than you: soldiers with helmets
    Made of paper, heroes who tremble
When envoys arrive, silent mendicants
    Staring at washerwomen’s breasts.
I see clearly like the gods who condemn
        And then pardon.



VOLODYMYR BILYK





Friday, May 17, 2013

MARCO GIOVENALE


 

CAMPBELL WALKER

of time overflowing out

rushes left as they are
would gradually wither away
and die.

reconstructing it
little by little
cinema-verite completely turned away from its deepest nature

the shots back the power they had in the rushes in the end-to-end;
some shots
still

didn't get back the strength
they had
in the rushes

I've always noticed
this wasting away of strength
with regard to the rushes.

the oppositions of material
are just.
I couldn't do any more

independent of my will,
like the atmosphere
or unplanned noise

certain things existed
not what you would like to have said
but what the film itself said,

seeking the affinities
which come to exist
exist completely on their own

everything they may have thought
or said
or done

at that time
no longer has any importance
the only thing that counts

is what remains,
and what remains is a crystallization of it
I can spend days

and days
with them
before I start

without touching a thing,
letting the film sleep
spaces of time,

oppositions of decors
it,
itself,

must say it,
not me
a complete failure

in the end-to-end

Tuesday, May 14, 2013

SALLY ANN MCINTYRE

from ‘the architectures’
 
description, a modernist

lanes carve the air, the sky
a flatness regardless.

in the diminutive space of a close-up,
all the warmth available.

details of a hum, bared to the basic wire.
the severe halogen appeal

checked, between squares.
soon the building wholly stretches again.

feasting on place. or sunward
as cats lie, critical

of the conditioned breeze, against
its abridging of air, on a white

formica: dryness
that falls