Showing posts with label Jefferson Hansen. Show all posts
Showing posts with label Jefferson Hansen. Show all posts
Friday, July 12, 2013
Friday, March 29, 2013
Being Simply Stupid by Jefferson Hansen
“There is no such thing as
language”
— Mark Wallace
Feints & shivers against
a look in your eyes
that says something nasty
or not about a
game we may or may not
be playing.
Saying, “You’re sweating
against the cold &
this place is fun” meaning
whatever the hell she
didn’t know she
meant, I guess.
Thinking about language
is a diversion from
the action between your teeth.
A tongue clacks its way against red skin and white
Lips pop against every last glistening track of attempt
Our ears can go nowhere but haywire
Sound refracts and clatters through the thickness of air
And you can only write
when sleep dogs
your periphery &
you wish against
the spring-loaded
clicks of the keyboard:
someone is watching
you someone is always
watching
you
I talk the game of my deepest forgettings hidden
somewhere in grottoes never marked beneath
mountains long lost inside ribs that
hurt to heave & still do it
I
I want to tell you something
that trips at my
latest last glistening &
I see you outside
something invisible & thorned
I can only speak the echoes
from my lost caverns—
can they clatter
and curve into what
you I think need to hear
Sound travels better in water
molecules packed so closely
banging into your chest
your eardrums
We end where we begin
in water
puckering and putrid
wailing against the drip incessant
whimpering at the erosion of
skin and scale
life gathers and sickens
but somehow, somewhere
you knew to pass the berries
for my sponge cake &
— Mark Wallace
Feints & shivers against
a look in your eyes
that says something nasty
or not about a
game we may or may not
be playing.
Saying, “You’re sweating
against the cold &
this place is fun” meaning
whatever the hell she
didn’t know she
meant, I guess.
Thinking about language
is a diversion from
the action between your teeth.
A tongue clacks its way against red skin and white
Lips pop against every last glistening track of attempt
Our ears can go nowhere but haywire
Sound refracts and clatters through the thickness of air
And you can only write
when sleep dogs
your periphery &
you wish against
the spring-loaded
clicks of the keyboard:
someone is watching
you someone is always
watching
you
I talk the game of my deepest forgettings hidden
somewhere in grottoes never marked beneath
mountains long lost inside ribs that
hurt to heave & still do it
I
I want to tell you something
that trips at my
latest last glistening &
I see you outside
something invisible & thorned
I can only speak the echoes
from my lost caverns—
can they clatter
and curve into what
you I think need to hear
Sound travels better in water
molecules packed so closely
banging into your chest
your eardrums
We end where we begin
in water
puckering and putrid
wailing against the drip incessant
whimpering at the erosion of
skin and scale
life gathers and sickens
but somehow, somewhere
you knew to pass the berries
for my sponge cake &
we smile as unknowing &
dumb as the toxins we carry
nothing else matters but your
lips, your lipstick, your shy
white teeth &, for now,
I hold out for being simply stupid
dumb as the toxins we carry
nothing else matters but your
lips, your lipstick, your shy
white teeth &, for now,
I hold out for being simply stupid
Jefferson Hansen is the author of the novel …and beefheart saved craig (BlazeVox)
and Jazz Forms (Bluer Lion), a
selected poems. He is the editor of the Internet arts journal AlteredScale.
Thursday, March 14, 2013
the loose hat of the confidence by Jefferson Hansen
the loose hat of the confidence man signifying nothing and
everything saying "this is me" and "there is no me,
exactly" sits flat on his head like honesty making no effort because it is
so true seemingly
we can all see
into another
if we tip
at just
the right way
emanate from
empathy
a pill smells
of lavender an herb
sounds
of musak
at a door hat in hand the confidence man goes light and
polite asking for what he cannot not receive and giving, oh giving, so much
into those gaps where he and you entangle
we call
our self
than in
it
and
like Whitman
we each contain
multi-
tudes
few actions based
on principle
many on
amenability
how many
selves
in you
empathize
to gain confidence
build confidence
the angle
of wind
out of a forsaken
alley
on the wrong
kind of day
grandmother worries
about memory—
grandson plays
confidence trick
talks of forgetting
what he went for
when he gets there
vast con-
fidence game
filled with
even smaller games
intricate and unpredictable
like electrons
where are they
what isn't
known only
to a degree
Ma plays
around broken string —
who's been
doing that
for centuries
better play the blues
the crowd demands
anyway
the science
of the
focus
group
the moment
you're taken
glides by
without
urgency
confidence tricks
simultaneously
all day and night
to immobilize
a population
and what if
that man
wants good
how about he
actually does
good
truth itself
formed by
the will
to believe
(Wm. James)
we can all see
into another
if we tip
at just
the right way
all confidence
tricks emanate from
empathy
sounds
of musak
we are more
out of whatwe call
our self
than in
it
we each contain
multi-
tudes
many on
amenability
sometimes you wear the soft hat and coo and purr your way to
a desired soft landing it is part of what we call survival part of what we must
celebrate part of what we must guard against
how many
selves
in you
empathize
to gain confidence
even a samaritan
must firstbuild confidence
out of a forsaken
alley
on the wrong
kind of day
a direct address I didn't need but wanted like I want the
burn of whiskey on other wrong days when no faith rises up and the landscape
goes flat and threatening
grandson plays
confidence trick
talks of forgetting
what he went for
when he gets there
filled with
even smaller games
intricate and unpredictable
like electrons
where are they
to a degree
of certainty
the color of confidence could be orange could be violet
beware of magenta and pink others off the spectrum confidence thrives in
mixture and our mixed personal humanity—the visible spectrum blinds us to
possibility and potential
ah, but don't
you wish don't
you long
for clarity
an international
crisis when Yo-YoMa plays
around broken string —
who's been
doing that
for centuries
saloon piano
sticking keybetter play the blues
the crowd demands
anyway
the confidence woman tries out one voice then another slips
and slides her perception of audience until she modulates just right in history
we are the people most threatened by confidence
group
glides by
without
urgency
oligarchs
play conflictingconfidence tricks
simultaneously
all day and night
to immobilize
a population
when the attempt goes unanswered like decay and dread when
all choice becomes somehow closed the way ahead unspeaking and the man comes
talking a fine, fine game
wants good
good
the will
to believe
(Wm. James)
Jefferson Hansen is the author of the novel …and beefheart saved craig (BlazeVox)
and Jazz Forms (Bluer Lion), a
selected poems. He is the editor of the Internet arts journal AlteredScale.
Friday, March 8, 2013
Unorthodox Carpenters, Unorthodox Plumbers by Jefferson Hansen
for my parents, who built the house I grew
up in
Forgetting the hum and buzz of the fan. Ignoring the freezer kicking in. Radio news in the background—horserace politics, murders, stories about birdwatchers—drops to the floor before touching ears.
A Harley howling its way down the alley is not just a Harley howling its way down the alley. A morning glory opening to the dawning sun is not just a morning glory dawning. A cockeyed bookshelf is not simply a cockeyed bookshelf, nor is a level table merely a level table.
A table echoes: leaning forward from the green plastic chair to make my first pb & j sandwich over that white table on Columbia Avenue. Yet this table is tan, and was never on Columbia. A morning glory dawns into a bundle of symbols about awakening. I warm to them, however unjustified by the bare molecules. And something cockeyed creates nervousness, even if fully supported.
Worlds coalesce: a surface to place the tape measure, the vacuum in the closet relative to these crumbs on the carpet, a male voice droning out of the radio, slight breeze from the fan, pushing button to turn on vacuum, it sucks and howls, dancing with my arm, my feet, circling the crumbs, knee first aching (why did I hike yesterday?), then ignored.
Hesitancy. Approximation. Guesswork.
We are all unorthodox carpenters, except for carpenters, who are unorthodox plumbers.
Forgetting the hum and buzz of the fan. Ignoring the freezer kicking in. Radio news in the background—horserace politics, murders, stories about birdwatchers—drops to the floor before touching ears.
A Harley howling its way down the alley is not just a Harley howling its way down the alley. A morning glory opening to the dawning sun is not just a morning glory dawning. A cockeyed bookshelf is not simply a cockeyed bookshelf, nor is a level table merely a level table.
A table echoes: leaning forward from the green plastic chair to make my first pb & j sandwich over that white table on Columbia Avenue. Yet this table is tan, and was never on Columbia. A morning glory dawns into a bundle of symbols about awakening. I warm to them, however unjustified by the bare molecules. And something cockeyed creates nervousness, even if fully supported.
Worlds coalesce: a surface to place the tape measure, the vacuum in the closet relative to these crumbs on the carpet, a male voice droning out of the radio, slight breeze from the fan, pushing button to turn on vacuum, it sucks and howls, dancing with my arm, my feet, circling the crumbs, knee first aching (why did I hike yesterday?), then ignored.
Hesitancy. Approximation. Guesswork.
We are all unorthodox carpenters, except for carpenters, who are unorthodox plumbers.
Jefferson Hansen is the author of the novel …and beefheart saved craig (BlazeVox)
and Jazz Forms (Bluer Lion), a
selected poems. He is the editor of the Internet arts journal AlteredScale.
Saturday, March 2, 2013
With My Daughter by Jefferson Hansen
"Ridin' in the
moonlight"
—bluesman Howlin' Wolf
—bluesman Howlin' Wolf
traveling in car
late afternoon moon
with daughter who has
severe autism,
Wolf doing the
howlin' and slidin'
on the car stereo
& I wondering if
the transmission is
going as the car
heaves & lurches
at every beat
only to then notice
the blur that is
my 19-year-old
slamming
to the harmonica blast
against the backseat
padding "Wang
wang doodle"
snails crawl against the stupidity of moonlight
oak leaves wonder at how jazz can possibly be as thin as they
a gust buffets & riffles my driving & I whoop with my daughter howlin'
at The Wolf
"I'll be arouououououound
To see what you're puttin' down"
because nothing matters now
but this dance
I pop & pull on
the gas as she
rams the backseat
with the ferocity
of developmentally disabled
glee
and tell me
I'm not dancing to
"I'll be your
backdoor man" with
my daughter
late afternoon moon
with daughter who has
severe autism,
Wolf doing the
howlin' and slidin'
on the car stereo
& I wondering if
the transmission is
going as the car
heaves & lurches
at every beat
only to then notice
the blur that is
my 19-year-old
slamming
to the harmonica blast
against the backseat
padding "Wang
wang doodle"
snails crawl against the stupidity of moonlight
oak leaves wonder at how jazz can possibly be as thin as they
a gust buffets & riffles my driving & I whoop with my daughter howlin'
at The Wolf
"I'll be arouououououound
To see what you're puttin' down"
because nothing matters now
but this dance
I pop & pull on
the gas as she
rams the backseat
with the ferocity
of developmentally disabled
glee
and tell me
I'm not dancing to
"I'll be your
backdoor man" with
my daughter
another gust and we
hear of "Highway 49"
maybe the one Howlin' Wolf
himself rode up from
Mississippi to Chicago
the night his mother
dropped his $500 on
the floor because
she wouldn't accept
money made singing
for the devil
she makes an
unearthly sound
in her singular language
beyond anything the Wolf
could conjure
Is that hawk above us looking for a disabled mouse?
What matters against the edge of an afternoon for a molting garter snake?
Should I get a tattoo of a guitar & the State of Mississippi?
she bawls
something again outside
comprehension & I
turn to see
her eyes have
reddened
I don't know why
I never know why
and I will die so
A moment is the irony of the recent past
Rhythm is the ecstatic attempt to escape this irony
"To see what you're puttin' down"
Now she moans with
"The Little Red Rooster
too lazy
to crow for day"
and this night everywhere on earth
will go down as
just another night
of banter & bickering
of shooting &
stiffing &
lazing at a soccer
match
and for us—
me, my daughter, &
the Wolf's dead voice
serenading from beyond
the grave—
it will be just another
moonlit ride
just another time
where rubber gripped
asphalt & pushed
with the friction of
its own beat
hear of "Highway 49"
maybe the one Howlin' Wolf
himself rode up from
Mississippi to Chicago
the night his mother
dropped his $500 on
the floor because
she wouldn't accept
money made singing
for the devil
she makes an
unearthly sound
in her singular language
beyond anything the Wolf
could conjure
Is that hawk above us looking for a disabled mouse?
What matters against the edge of an afternoon for a molting garter snake?
Should I get a tattoo of a guitar & the State of Mississippi?
she bawls
something again outside
comprehension & I
turn to see
her eyes have
reddened
I don't know why
I never know why
and I will die so
A moment is the irony of the recent past
Rhythm is the ecstatic attempt to escape this irony
"To see what you're puttin' down"
Now she moans with
"The Little Red Rooster
too lazy
to crow for day"
and this night everywhere on earth
will go down as
just another night
of banter & bickering
of shooting &
stiffing &
lazing at a soccer
match
and for us—
me, my daughter, &
the Wolf's dead voice
serenading from beyond
the grave—
it will be just another
moonlit ride
just another time
where rubber gripped
asphalt & pushed
with the friction of
its own beat
Jefferson Hansen is the author of the novel …and beefheart saved craig (BlazeVox)
and Jazz Forms (Bluer Lion), a
selected poems. He is the editor of the Internet arts journal AlteredScale.
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