Framed in expressive black oak,
your watercolors stick to the wall
like leeches. Frost hikes its skirts
at the pond’s edge where geese chat
about flying to Kentucky.
Do I hear a drumroll enter
your small conversation? Do stones
at the bottom of the pond expect
to testify? Other events squeeze
from the tubes of paint arranged
by hue and cry. Brushes become
mustaches of slaughtered heroes.
In gusts of small talk you project
the naked retorts of the moons
of Saturn and Jupiter. Half mind,
half sun, you’re anything but flesh
now that flesh has lost its fashion.
Your horizons sport crows and jays
to herd away the geese that spangle
your lawn with gray wet droppings.
Yet the bird wars occur mainly
in literature you’re too proud to read.
I prop myself against a wall and wait
for the pond to freeze with tingling
and cries of pain. Your husband plans
to stay up all night and whisper
your fetishes to the stars. Why
should you care? Sparks roughed
from visiting boulders tender
light and heat enough to ease you
into those last gestures artists
require for their celestial fame.
Your water colors resist you
just enough to cling to three
or four dimensions, honoring
or more likely blaming you.
I’ve always been interested in the intersections of diverse media, particularly painting and poetry. But while I’ve written my share of ekphrastic poems, I prefer to explore the ways in which these media differ: particularly in the ways that technique enables or defers certain kinds of exploration. Some of the ancient Chinese poets wrote poems that subtly but specifically exploit the advantages poetry has over painting: e.g., the ability to narrate and convey motion. This poem challenges a painter to enter the world of language to supplement her aesthetic vision. In the end, it argues that to the extent that she honors the autonomy of her art it will reward or punish her with a world view that isn’t necessarily her own. Of course poems do the same, so those mustaches of slaughtered heroes represent the sacrifice of self we all make to our chosen art.
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