FOR DONG KINGMAN
Yes, Dong, you remain a faded graph
painted figures coming out of a fog bank
on Montgomery Street in a watercolor from 1941
ought to surprise no one in
the dirty air Pearl Harbor
you
were chased
for being “The Enemy,” but you were Hong Kong
Chinese,
your pal picked up a block of wood
and hit a guy over the head, then you both ran
down
Hotaling Place… "I kicked the shit out of him
when
he came up from around the corner,”
we were in the Li Po, Bobby Kaufman and me,
in the Li Po Bar drinking 'em down, Bobby lived with me, I'd make
dinner
every night and usually had to throw it into the garbage
as Bobby died and fell into the Bay, we said goodbye
ash by ash from a box we held over his head, our little wind up rebel saint
with his Chinese mind, the black saint
from
New Orleans, and those eloquent ladies
who showed up just in time
for so many more John F, Kennedy
conspiracy theories, the sisters of our
poet
who wrote, "o man in inner basement core
of
me…" as if there was only one jazz club
and as if this planet was Chinatown
down
an alley of blood and guts
the lights are low, there's Chinatown and there's
the
angel, there's the ship of good luck
and a harbor filled with death, a Chinese testament,
a hopeful world, a need to be real
a
need for the ruckus to end --
little
overt push for love
little light, beautiful rightness, terrific wisdom
of the baker and butcher, terrific
the arrogance of a poet in the Chinese night
Bobby Kaufman's China poems his disappearance
during
the Cultural Revolution
when the thing to do was to take a pair of
scissors and cut up a poet's scroll, or a sledge hammer
and send some ancient pottery to
smithereens
or a wise grandmother to re-education camp
in the far country, mid-winter
like that, everyone with balls
had a chance in our world of lanterns
the Odes stand like monoliths,
the Analects offer
a route to order, the Tao keeps the
mind free, and the I Ching
advises,
it's not always black and white,
not forever north or south
those anonymous men
in
the Li Po, leaping, drinking, matching one
another, drink for drink
it's not just Chinatown, it's a chime
and one last parking spot
in Pearl Harbor when you and Sam
faded into photographs
and
memories, into old watercolors
one
elder under the statue of Sun-Yet-San
in Chinatown despite everything. . .
pale light, pastel moon
NeeliCherkovski is an internationally celebrated poet and literary chronicler.
He is featured in the Jan 2016 issue of Talisman.
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