Another Shore
It is essential
to imagine
one thing as
another — as when
the small hard
winter apple becomes
a globe for the
dollhouse schoolroom
where the rubber
children learn
their geography;
as when a pan of mud
is really
quicksand, and in it G.I. Joe
is sinking,
sinking, until a buddy
pulls him out in
time; as when the old
round wooden
drying rack, with all
its bare arms
up, is your helicopter,
rising over the
shores of Okinawa,
where you will
find your brother,
not yet broken,
and carry him home.
After All
So it’s just you
and me, sad ghost
dissolving so
quick by my side.
And we’re all
down to senses – beer snap,
smoke taste –
and the handful of photos
boxed on a high
shelf that I’ll never climb.
Farewell, then,
to the love and the hate
of it, to the
shattered vase and the purple,
predictable
vine. Now the stories you could
not tell will
never be spoken, the demons
you never named
all blanks on the line.
Brother, it took
me twenty-three months
and four countries
just to be here –
where I stand,
with one foot by
your grave, and
one in the clear.
Spell for Vanishing
That clatter of
plates is her
warming up to
the old story. The house
in Hawaii that
wasn’t. Pineapples
growing on
cartoon trees she’ll never
see. Brad is the
name of the ghost,
and you already
know his sea-color eyes,
the size of the
ring, but still
you keep
listening, wiping the same pot
over and over.
Then, just like that,
she’s wished you
all away — four kids
not born, your
father dispensing
the
sacraments in a parish by the bay.
You’re his, not
hers, you’ve always
known it. Which
means,
right now you
don’t exist.
Rose Solari is the author of three full-length collections of poetry, The Last Girl, Orpheus in the Park, and Difficult Weather, the one-act play, Looking for Guenevere, and the novel, A Secret Woman. She has lectured and taught writing workshops at many institutions, including the University of Oxford's Centre for Creative Writing at Kellogg College.
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