Leave it to Laura Mullen to invent (or re-invent) a form whose echoic back-and-foreplay mimics an embedded medium, one set of representations nestled in another framework of representation. The shock of such perfect integration is that it makes perfect sense, times two (at least). (JM)
You Only Live Twice
He is armed. He is harmed.
Licensed to kill and ill, knows
There’s a no in Casino, and now
There’s a drain for the rain
Running down to the old gold
Where the cat buries its scat.
Now here is the nowhere
I lent to the silent secret
Agent who was a real gent:
Him with the scar in the car,
All the cards in his hand and
The ice shaken like dice…
He is mine he is Dramamine.
I am feminine, I am nine.
Laura Mullen is the author of eight books: Complicated
Grief (forthcoming from Solid Objects), Enduring Freedom: A Little Book
of Mechanical Brides, The Surface, After I Was Dead, Subject, Dark Archive, The
Tales of Horror, and Murmur. Recognitions for her poetry include
Ironwood’s Stanford Prize, two Board of Regents ATLAS grants, a National
Endowment for the Arts Fellowship and a Rona Jaffe Award, among other honors.
She has had several MacDowell Fellowships and is a frequent visitor at the
Summer Writing Program at the Jack Kerouac School of Disembodied Poetics at
Naropa. Her work has been widely anthologized. Mullen is the McElveen Professor
in English at LSU and the Director of Creative Writing.
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