A READING AT KGB
In the room dark as a deserted dacha in winter
I sat trying to listen to the featured poet
droning on about missiles, cold rain and apple cider—
or so I thought. I tuned out, thinking about the pictures
of Lenin on the walls—someone whispered Khrushchev
but I didn’t see him. I did see Julie Christie’s Lara
outlined by my side, her breasts pointed and beautiful,
snow
beginning to fall on St. Petersburg, the featured poet
saying “here’s a real long one” and the Red Cavalry
dashing
from the woods to cut him down at last, sabers gleaming
like pure gold, like the Revolution never was.
first published in Ellipsis
BAYOU PIGEON
Crawfish shadows
on the street
and a gossamer
elm by the drugstore—
a blind man on
the corner plays a saxophone—
the locals say
“he sees with his heart”
and, darling, I
think I know what they mean—
the world gives
as much as it takes.
first published in Thrush Poetry Journal
CULTIVATING THE WOMEN
Or are they
cultivating me, while
they take over
the apartment?
Some dress so
fine the word dazzle
will not do. Some
dress more mundanely
and one at the
end of the couch wears
only underwear,
crossing her legs, proud
to be provocative
yet a little aloof.
So many women
huddled in the tight space
but we wouldn’t
change it for the world—
this planet as
strange to itself as it is to us.
Is trying a tango
step by the kitchen island
the foolish
endeavor I hope it is?
And is that a
Roman legionnaire we see
flying smoothly
by, red as the night sun?
first published in Mudlark
Tim
Suermondt is the author of two full-length collections: TRYING TO HELP THE ELEPHANT MAN DANCE (The Backwaters Press, 2007) and JUST BEAUTIFUL from New York Quarterly Books, 2010. He has
published poems in Poetry, The Georgia
Review, Blackbird, Able Muse, Prairie Schooner, PANK, Bellevue Literary Review,
Stand Magazine (U.K.), and has poems forthcoming in december magazine, Plume, North Dakota Quarterly and Ploughshares. After many years in Queens
and Brooklyn, he has moved to Cambridge with his wife, the poet Pui Ying Wong.
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