Showing posts with label tanka. Show all posts
Showing posts with label tanka. Show all posts

Thursday, October 29, 2015

Mike Montreuil and Maxianne Berger: Five Co-Written Tanka


Some years back, over the course of a few months, Mike Montreuil and I co-wrote some tanka. We traded prompts -- two-to-three very brief lines that were not cast in stone, but served, rather, as malleable ideas. For the five below, I’ve provided the prompt alongside the poem for those who might be interested.   mb


fading ink
all about the trenches
the smell of mud
reading between the lines
love kept grandpa warm
to read in between
the lines

sugared almonds
my mother's cookbook
opening up
that sweet crunchiness
yesterday so long ago
recipe book open -
my hands travel
to a time in the past
lace swirls
over deepest blue
our Earth
lying under the sun
one never looks sick
one never looks sick
lying under the sun

yesterday
my firstborn daughter
was wed
in the morning light
the hills seem far away
the hills seem far away
in the morning light

look out, world
'cause here I come
a woman
walking with a smile
and a springtime urge
spring time urge
the woman walking
with a smile



Montreal poet Maxianne Berger and Ottawa poet Mike Montreuil co-edit the on-line periodical Cirrus : tankas de nos jours.
For more about Cirrus



Tuesday, October 27, 2015

Angela Leuck: A Haiku Sequence and A Tanka String



THREE HAIKU FOR MY SON

Inspired by Kazuhiko Ito’s

dear brother
don’t forget this—
birds
flying through the sky
have heavy entrails                   
Ferris Wheel: 101 Modern and Contemporary Tanka
Kozue Uzawa and Amelia Fielden, trans., Cheng & Tsui, 2006


Dear son,
remember this:


birdsong after rain
isn’t music
to worms


the peace dove
shits on your head
just like any other bird


women
with sultry voices
don’t have to shout





FOUR TANKA

home from college
my older sister
sprawls on the sofa
brazenly reading
Lady Chatterley’s Lover


outside my window
the snow-covered
mountain
T.S. Eliot
climbed in his youth


dull gray day
I turn on the lights
at lunchtime--
how once I devoured
Koestler’s Darkness at Noon


to remind himself
how lucky he is
my husband
dips into
the Gulag Archipelago


Award winning haiku and tanka poet Angela Leuck has been published in journals and anthologies worldwide. Her poems were included in Haiku Journey, a video game by Hot Lava Games (2006). The author of Garden Meditations and a cicada in the cosmos (inkling press, 2010), haiku white and haiku noir (carve, 2007) and Flower Heart (Blue Ginkgo Press, 2006), she also has edited numerous anthologies. She is the founder and organizer of the Black Tea Haiku Group in Montreal, and in 2005, with Kozue Uzawa, she co-founded Tanka Canada and its biannual journal Gusts.

Monday, June 1, 2015

Truck June 2015: Three Poems by Gwyn McVay

The Grey-Streaked Hare

thumping hard against my fingers
your furry heart beats with my need
you sense it — do you not —

perhaps you are frightened
I hold the beastie to my breast
O, know you are safe —

you and your fast heart — within mine
such body heat — salty and constant



---


All You Have To Do

You can pose but you don't have to pose
You can play your instrument or just sit
by the river with me and listen to that
You can toast me with your fizzing soda
or sip it quietly and just smile
You can tell me a story or just lie
next to me, I'll guard your dreams
You can do cartwheels, you can just be
the musclebound pony I saw striding
smooth as beach rock under a load
of all you possess and all you need own


If I have an orange you have half an orange
If I draw breath you have all my heart



---


The Butterfly Effect

the roughest bastard,
born in a bear's den, will let
a butterfly sit

in the crook of his elbow,
watching its slightest beat



***

Gwyn McVay is the author of two chapbooks of poems and one full-length collection, Ordinary Beans (Pecan Grove Press). She has published poems and reviews in more than sixty periodicals and in three anthologies, most recently Letters to the World (Red Hen Press). She lives in southeastern Pennsylvania, where she teaches writing at Millersville University; three of her poems are in this year's volume of the university's literary magazine, George Street Carnival

Truck June 2015: Eight Tanka by Maxianne Berger

summer string

broken sign

amid the garden debris
Forget-M
as if I’d become
some wizened elder

under the sunhat

unruly silver curls 
remarry! I’d 
want some old man
farting in my bed?

---


simply friends

walking through the woods
discover
in this green canopy
filtered light is intimate

binoculars

passed back and forth
observation hut
watching gannets court 
amidst lovers' graffiti

jut of rocks

overlooking the river
we feel it
the thrill of that
very first whale

too hot

to climb a mountain
slippery moss
along the scenic trail
the back of his shoes

---


is this enough?

I watch him stand
in a tidepool
watching a heron
watching for fish

vows exchanged

under a tall spruce
so many years
in the boreal forest
a private altar

***

Maxianne Berger, poet and literary translator, is active in both the French and the English haiku and tanka communities in Montreal and beyond.  Her writing meanders between the minimalism of Japanese forms and the unpremeditated outcomes of OuLiPo-style constraints. She is among those featured in Language Matters: Interviews with 22 Quebec Poets (Souaid & Farkas, eds; Signature, 2013). She has co-edited three anthologies -- one of haiku, in English, and two of tanka, in French, and now co-edits Cirrus: tankas de nos jours. After two books of lyric poetry, her most recent book is a dual-language tanka collection, un renard roux / a red fox (petits nuages, 2014).