COUNTRYSIDE
As
many times as I’ve been there,
the roads remain strange, going east
when I think we’re headed south,
passing fields of the same farmers
who lift and shake their heads.
the roads remain strange, going east
when I think we’re headed south,
passing fields of the same farmers
who lift and shake their heads.
I’m
sure I was born here, though
when I hold out my hand the fish
swim away, the men toast someone
behind a partition, and only one
aunt claims she still loves me.
when I hold out my hand the fish
swim away, the men toast someone
behind a partition, and only one
aunt claims she still loves me.
The
spaces behind houses carry
the light in spare pockets, and
a quiet holds the hills like rakes
at lunchtime. I dare not ask which
the light in spare pockets, and
a quiet holds the hills like rakes
at lunchtime. I dare not ask which
trace
leads to the sea, innocent
wave
washing the same sand: Man-
zanilla, Mayaro, Gasparee, only fifty
square miles, but it can go on forever,
machetes looking for something
to cut, besides cane.
zanilla, Mayaro, Gasparee, only fifty
square miles, but it can go on forever,
machetes looking for something
to cut, besides cane.
HOLOLO
for
LeRoy
Let’s
talk, my friend,
when the wind comes
across the mountain
to touch our faces, and
when the wind comes
across the mountain
to touch our faces, and
flowers
in your yard
rise on their stems
to salute, and the cock
puffs the feathers
rise on their stems
to salute, and the cock
puffs the feathers
round
his neck, the
hens walking away
as if to say not again,
not today. Let’s
hens walking away
as if to say not again,
not today. Let’s
talk
about winters
in far-off lands, irate
husbands and windows
we jumped from,
in far-off lands, irate
husbands and windows
we jumped from,
let’s
brew the pack
and play a game of
rummy, though
neither of us is any
and play a game of
rummy, though
neither of us is any
good.
Show me
a painting you’ve
been working on
that may or may not
a painting you’ve
been working on
that may or may not
be
going well. Let’s
argue about a line,
a verse in a poem, the
cause of a fire that
argue about a line,
a verse in a poem, the
cause of a fire that
has
suddenly bloomed
on the hill. Let’s leave
some issues for another
day, otherwise what
on the hill. Let’s leave
some issues for another
day, otherwise what
would
we do tomorrow,
when your rooster’s
tail grows too heavy for
his body, and the ladies
when your rooster’s
tail grows too heavy for
his body, and the ladies
must
remind him
when it’s time to crow.
Let’s talk until then
on important matters,
when it’s time to crow.
Let’s talk until then
on important matters,
THE LAST ROUND
for Neal
This
is what happened, after the doctors said
there was nothing more they could do. When
he had flown, back and forth across the Atlantic,
and one country said hospice, the other PH ward.
there was nothing more they could do. When
he had flown, back and forth across the Atlantic,
and one country said hospice, the other PH ward.
I
hear, when he went home, he sold everything-
furniture, clothes, car. Opened the gate and let
the two Dobermans out- “Go, run for your lives!”
He does not know what happened to them. I
furniture, clothes, car. Opened the gate and let
the two Dobermans out- “Go, run for your lives!”
He does not know what happened to them. I
hear,
when he speaks now, his voice is a rasp,
that powerful boxer’s body closed around it like
a bell around the clapper, his mind fogged up
like a rear window in winter. I remember his hard
that powerful boxer’s body closed around it like
a bell around the clapper, his mind fogged up
like a rear window in winter. I remember his hard
right,
when once he hit me and I realized there’s
no playing with a fighter, especially the one he
faces now, who keeps his hood on till the very last
minute, who closes in, knowing the dogs are gone.
no playing with a fighter, especially the one he
faces now, who keeps his hood on till the very last
minute, who closes in, knowing the dogs are gone.
WEST INDIAN AT THE FRONT DESK
It
took a long time for the new tenant’s
furniture to arrive from Atlanta.
Every day she sat in the lobby looking out,
chain smoking and telling me all about
the move she was making. I listened,
and we ended up having an affair (which
began to sour the night I came to dinner
with books for classes the next day).
I’d assumed too much, she said. It ended
when some people in the building
threw a party, and my girlfriend came
to pick me up. I introduced them,
Virginia, meet Georgia, thinking
this is how it’s done in America.
furniture to arrive from Atlanta.
Every day she sat in the lobby looking out,
chain smoking and telling me all about
the move she was making. I listened,
and we ended up having an affair (which
began to sour the night I came to dinner
with books for classes the next day).
I’d assumed too much, she said. It ended
when some people in the building
threw a party, and my girlfriend came
to pick me up. I introduced them,
Virginia, meet Georgia, thinking
this is how it’s done in America.
© Cheryll Greene
Mervyn Taylor is the author of An Island of His Own, The Goat, and Gone Away, all from Junction Press, New York, and No Back Door
(Shearsman, Bristol UK). He currently serves on the board of the Hudson
Valley Writers Center. He divides his time between Brooklyn and Port of
Spain, Trinidad.
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