Thursday, August 23, 2012

scrap jar, by Meghan Jackson


the bell jar on
my counter
is full

full of fabrics
threads of things
i've made
and collected

rips of clothes
i've worn through
my kids have
worn out
my husband
has worn threadbare

and one of these days
i will take a fine needle
and strong thread
and sew them together
neatly into a fabric

for now they stay bottled
in the jar on my counter
moths flutter against the glass
at night
trying to feed off the stories inside

Meghan Jackson is a wife, mother, writer, and knitwear designer in a small town in Ontario, Canada.  She has three young children, a wonderful husband, and more yarn and ideas than she can knit and publish in a lifetime. Find her knitwear at http://www.butterflyknit.ca and on Ravelry, here. Author of movements in jars (Chaudiere Books, 2006) and a part of various collections.

Wednesday, August 22, 2012

pigeon chickadee the horse, by Joe Blades


how can i, this table too small,
weights tied around my ankles
as if i’m a carrier of messages
or too fast to run, eyes hooded
to prevent natural hunt

how can i spread my pigeon wings
horse statue already in today’s night
darkness of time atop warring
and meet one fish on a different river
far upstream when your eyes alight
on a chickadee in your freezer
victim of one of your windows

how can i be on your inside
not splat and frozen for future
study and rendering on paper
please pick up your pencil
to draw— this isn’t the time
to kick ball and run
field until elimination
—there’s other ways to live
and i might show you one

may i? i know that after dead
chickadee you might want me
to stand just so for you to hold
pose you want as long as you need
i feel the seasons moon
but they don’t weight on me
as on so many others my age

i wake with predawn crows
don’t sing for iron bells
don’t run with herd

we talked one laughing night
imagine us beyond horse
beyond middle east
beyond celts homeland
our art and poetry there too
below sea level with russian vodka
in glasses of european muslims
oilfield below caspian sea
and us at a café on shore


Joe Blades lives in Fredericton, NB. He is an artist–writer, educator, producer–host of the 17-year-old Ashes,Paper & Beans community radio program at CHSR 97.9 FM, a Master of Education candidate at the University of New Brunswick, a member of the editorial boards of revue ellipse mag and ATKA: A Journal of Canadian Studies (Romania), founding publisher of Broken Jaw Press, a Past President of the League of Canadian Poets, editor of ten collections, and the author of seven poetry books, including Prison Songs and Storefront Poetry (Ekstasis Editions, 2010) and Casemate Poems (Collected) (Chaudiere Books, 2011). His newest book, Iz knjige koja se ne zatvara (2012), translated by Tatjana Bijelić, is co-published by Broken Jaw Press and Art Print in Banja Luka, Bosnia and Herzegovina.

Tuesday, August 21, 2012

With Regards to the Fleshing Beam, by Trisia Eddy


 All it takes is awareness; he is fixed in the motion of peel. Depending on how she holds her flesh, his blade may or may not run smooth. A knot needs only one opening to impair his rhythm. Mars the ease with which he sinks into reverie, sliver of eye open to the glow of embedded pigment. 

The glisten. A catch of air or skin, inhalation. When the sky opens just a pulse, a singular stroke will let him into her. Imagine the interruption this causes, hand on blade.

Sleep knows two things: dreams or oblivion.  This is his way of allowing her to see, far better than slumber. Quaking. Intensities of harsh breath. The sound is his alone, while she persists in sustained hush. Only silent. It is soft.

Trisia Eddy is the author of Edith & Aurelia: A Romantic Tragedy in Five Acts (2011, Dancing Girl Press), and editor and publisher of Red Nettle Press. Her work has been included in a variety of literary journals and collaborations, and she is currently immersed in a series of artists' books inspired by recent visits to Natural History museums throughout North America and Europe. Visit online at: www.rednettlepress.com

Monday, August 20, 2012

Partly Cloudy, by Jordan Abel


1

Of course. Rocks under
toes. Skin under sun. Light
under mind. Of course.
Sweat over nails. Knees
behind dirt. Jackets over
trees. Of course. Signs
over eyes. Shoes under
hats. Ears beside fences.
Of course. Sky under
sweaters. Branches over
shorts. Backpacks behind
bushes. Of course.


2

Of course. Nitrogen over
oxygen. Argon through
carbon dioxide. Neon
beside helium. Methane
behind krypton. Hydrogen
under nitrogen. Of course.


3

Of course. Helium through
jackets. Feet between
neon. Trees over methane.
Of course. Oxygen under
nails. Mind behind argon.
Carbon dioxide through
sweaters. Of course. Shoes
over krypton. Hydrogen
under hats. Nitrogen beside
sky. Of course.

Jordan Abel is a First Nations writer whose work has been published in CV2, Grain and Canadian Literature. He is a contributing editor for Geist and a former editor for PRISM international. His first collection of poetry is forthcoming from Talonbooks. Visit him at www.jordanabel.ca.

Sunday, August 19, 2012

Two Colonizations from Sonnet's Shakespeare, by Sonnet L'Abbé


LXXIII


of in me or or
do in me of as
in by by up in
me of on of as
it it by to

few the the day
the and all the
the his lie the
bed was thy ere

That time year thou When none
hang upon cold bare late sang
thou such west doth take away
self that rest thou such fire
that doth must with that this
thou love more love that well
thou must long

mayst those which shake where
sweet birds see'st after which
black night seals see'st ashes
youth death which which makes
which leave

behold boughs yellow
ruin'd leaves choirs
sunset fadeth death's
second expire strong
 
against glowing

twilight whereon consum'd

nourish'd

perceivs't





LXXXV


able add affords, 'Amen' all And And And before breath But by compil'd come character clerk cry comments dumb effect fil'd for for form every golden good good Hearing her his hindmost holds holds hymn I I In in in in is love like manners Me more most Muse Muses My my my of of of of others others, pen. polish'd praise praise praised precious phrase rank Reserve respect,
richly the the their Then Though tis 'tis tongue-tied To to true,'
quill, say so, something speaking spirit still, still that that the think thought, thoughts, thoughts to unlettered well-refined While whilst whose write with words, words words you you your


Sonnet L’Abbé is the author of two collections of poetry, A Strange Relief and Killarnoe, and a reviewer of Canadian fiction and poetry for The Globe and Mail. Her work has been included in Best Canadian Poetry 2009 and 2010 and was shortlisted for the the 2010 CBC Literary Award for poetry. She is currently teaching creative writing at the University of British Columbia and writing a dissertation on botanical metaphors in representations of human cognition in the work of American poet Ronald Johnson.

Saturday, August 18, 2012

SAFE IN THE UNDERCURRENT, BY JAY MILLAR

Across the street in the dark, the park poem has
begun to hibernate. The word grass pales; the word
leaf fades to brown and disappears. Some words
migrate south or pull their bodies back into the earth;
there are a few words that linger but they are
obfuscated by damp and snow; some migrate south.
Others stick around and try to say other words. Most
of them are words for trees. This is how it happens
year after year: the words change, grow older, leach
some primal form of energy.

Eventually I will go outside and this poem will be
gone. Not just this poem, but all poems. The world
will be somehow naked, stripped bare, an inhospitable
habitat. I will have nothing but my role as an ego
trying to cry out in the wilderness and nothing to
speak with but the words that were once something
entirely different.



Jay MillAr [photo credit: Reid Millar] is a Toronto poet, editor, publisher, teacher and virtual bookseller. He is the author of several books, the most recent of which are the small blue (2008), esp : accumulation sonnets (2009) and Other Poems (2010). He is also the author of several privately published editions, such as Lack Lyricswhich tied to win the 2008 bpNichol Chapbook Award. MillAr is the shadowy figure behind BookThug, a publishing house dedicated to exploratory work by well-known and emerging North American writers, as well as Apollinaire's Bookshoppe, a virtual bookstore that specializes in the books that no one wants to buy. Currently Jay teaches creative writing and poetics at George Brown College and Toronto New School of Writing, where he is also the co-director.

Friday, August 17, 2012

watercolour, by Marilyn Irwin


the lines kept you
drawn in

hanging segments
saturated coasts

bled watercolour
words coat words

fume fusion
suppress indigo

memory plasters
precise fingerprints

mere measurement
of space) (between) (space

the emptiness
that accompanies

fresh canvas



Marilyn Irwin partook in two of Ottawa poet rob mclennan’s poetry workshops in 2010, and graduated from Algonquin College’s Creative Writing Certificate Program this Spring. She self-published her first chapbook for when you pick daisies (2010) which was immediately re-issued by above/ground press. Extrapolated fragments of Marilyn’s musings can be found in issues of Bywords, Bywords Quarterly Journal, ottawater and Peter F. Yacht Club. This poem is from her second chapbook, flicker (above/ground press, 2012).

Thursday, August 16, 2012

raw cantata, by Lary Bremner



-       for Peter Culley

.      sleepwalk endanger specify & loot    .

.      pack devour crystallize & stream    .

.      fallow moonlight garden & instrument    .

.      church swagger vibrate & corn    .

.      scan entrance agitate & lose    .

.      thrive remainder descend & layer    .

.      engender dilute regulate & chime    .

.   lush emanate loophole & quell   .

.   apprehend utilize recoil & feel   .

.   hightail aperture cutback & hurt   .

.   fuse muzzle violate & fault   .

.   author opiate venture & mentor   .

.   strangle capitulate era & entrap   .

.   frame disrupt mediate & disease    .

.   state demonize belittle & sever   .

.   ally delimit enable & undo   .

.   think rework camouflage & conceive   .

.   muck root scar & tissue   .

.   amass incubate parallel & trance   .

.   verify trust yearn & manifest   .

.   encounter remember pose & converge  .

.   kiss handle memorize & fail   .

.   rend forward retain & repair   .

.   submerge array scour & shape   .

.   overlay border spittle & ash   .

.   initiate endeavor mill & imagine   .

.   matrix bone extract & twist  .

.   chic iron archetype & meadow   .

.   double join story & grease  .

.   flatten revitalize diagram & surge  .

.   stone arppegiate rust & deport   .

.   flame approve grace & toil   .

.   earthen toward gospelize & scar  .

.   infiltrate unfurl disremember & shed  .

.   sing resurface shake & moon   .

.   pool fur breathe & recover   .

.   shadow spread wrinkle & foothill   .

.   feint crisscross think & scent   .

.   headwater sexualize walk &unite    .

.   record adobe rain & locate   .

.   halfway perfect bejeezus & blue   .

.   direct know apprentice & lurk   .

.   crank scorch slurry & rescind   .

.   illuminate loop horsehair & personify   .

.   tilt-a-whirl libido flash & point   .

.   fatigue rampart psyche & dust   .

.   gutter thug banter & expand   .

.   reason upside deepen & page   .

.   tooth sink derelict & wish   .

.   bleed scroll track & believe   .

.   bid slump comfort & core   .

.   forage shape accept & submit   .

.   rust actualize implode & chorus   .

.   guise figure heal & creep   .

.   surface fatten cohort & appellate   .

.   wash slacken mottle & descend   .                               

.   rank gown signify & clear   .

.   cycle flame adapt &hunger   .

.   night season soup & balm   .

.   cinder garden imbalance & sleep   .

.   err transistorize riddle & nutmeg   .

.   rust screen sample & hold  .

.   pucker skitter tackle & swab   .

.   spook misuse materialize & shine   .

.   spring bond atomize & flutter   .

.   scuffle thwart trellis & gulch   .

.   sob grime untangle & steam   .

.   cloud crack tryst & grace   .

.   filament tempo layer & love   .

.   strain maintain apprehend & peak   .

.   trap trove distrust & dream   .

.   gasp extend wither & snake   .

.   astound ribcage attenuate & tundra   .

.   riverbed exhale mean & begin   .

.   soul moor zenith & drip   .

.   drain withstand incline & cure   .

.   advocate infiltrate root & dispossess   .                        

.   hovel skin process & pronounce   .

.   milk pale booze & rafter   .

.   blush cup smooth & unbraid   .

.   toughen identify murmur & hide   .

.   gild pang age & lament   .

.   gash salve grind & zero   .

.   scratch scent sense & circle   .

.   blossom balloon lop-side & goop   .

.   crave rattle satiate & crave   .           

.   articulate emote muscle & network    .

.   configure crevasse crouch & conform   .

.   split sling segment & scope   .

.   cloud helmet pacify & dust   .

.   turquoise convert block & veil   .

.   bless bundle doodad & debris   .

.   originate tidal capacitate & lush   .

.   squint bow smudge & gristle   .

.   substantiate moccasin film & pod   .

.   exile recount basket & tide   .

.   brave perceive exchange & lure   .

.   fertilize tongue pulse & sage   .

.   pigment bubble idolize & raise   .

.   piccolo rampage ration & peel   .

.   sanctify water pounce & stone   .

.   sheet rubberize integrate & gulf   .

.   cleave thunder tenderize & toy   .                   

.   integrate hover distract & reverse   .

.   flex entangle template & time   .

.   scout bow weep & juice   .

.   speak practice blindfold & drop   .

.   demand holography argot & slash   .

.   prop mind invert & synonymize   .

.   fake catgut hunger & stem   .

.   harp concoct originate & wreck   .

.   consummate rumpus materialize & riff   .

.   use shamble personify & elucidate   .

.   embed neutralize bridge & market   .

.   freeze bark weft & hang   .

.   lush sculpt stitch & slump

.   retain burlap integrate & crush   .

.   reflect revise crescent & dog   .

.   blacken reserve font & foothill   .

.   undulate alchemize episode & erase

.   incorporate mock sham & dance   .

.   somnambulate tandem glass & flinch   .

.   ember accrue conduit & suffuse   .

.   underworld chalk orchard & dilute   .

.   soak plump calliope & wobble   .

.   cadence land decipher & sluice   .

.   sketch invert echo & amplify   .

.   dam amputate rearm & deliver   .

.   privatize intend die & recycle   .

.   break moss phrase & apprehend   .

.   study bulldoze snag & shadow   .

.   aside medicate terrorize & fable   .

.   accommodate mend discomfort & bloom   .



.   write proceed authenticate & work   .
     

A former member of Vancouver's Kootenay School of Writing, Lary Bremner was an early editor of the late 1980s and early 90s Vancouver publisher Tsunami Editions. He has published a number of titles under the name Lary Timewell, including recent works from his own Obvious Epiphanies. After years living in Japan, he recently returned to Vancouver.